Fashion Designer & Coolhunter
Form, structure andfeminine presence
I didn’t start in fashion.
My background was built in structure, numbers, and strategy — in spaces where precision and attention to detail mattered more than expression.
But even there, I was already drawn to something else: the way presence is constructed, the way a woman can enter a room before she says a word and how art, in all its form, makes our days better!
Moving into fashion wasn’t a break. It was a continuation — just in a different language.
THE WILD QUEEN - FW26/27
celebrating a woman who is both fierce and graceful.
(AI generated)
(AI generated)
(AI generated)
TROPICAL MODERNISM - SS26
merging the optimism of the 1960s and the futuristic allure
of the Space Age with the raw strength of Brutalism.
Top construction
Top and Skirt construction
Between structure and intention.
The work you’ve just seen sits between design, styling, and visual research. I’m interested in the intersection of femininity and structure — in pieces that don’t rely on exposure, but on intention.
As a designer and coolhunter, I look at architecture, history, and form as much as I look at clothing, reading them for signals long before they become trends. Because what we wear is never just aesthetic — it’s positioning. It’s how we choose to be perceived, and how we choose to perceive ourselves
Against the obvious.
I don’t believe in obvious dressing. I believe in precision, in quiet confidence, in silhouettes that suggest rather than reveal. Whether I’m developing a concept, styling a wardrobe, or studying a collection, my focus is always the same: to build a refined, intelligent expression of femininity — one that feels current, but never disposable.
I’m open to collaborations, styling projects, and conversations about form and femininity. Write to me.